在風景畫中感受 Perception in Landscape Painting
我的繪畫是從風景畫起步的。哪怕是現在一把年紀了,在回憶繪畫生涯時,還會回憶起許多少年時期寫生的場景。風景對於我們的成長都是一個學步,我不知道現在是怎麼看待風景的。當時畫風景,對於自然,對於氣候,對於所描繪的對象的感受,都是發自內心的。而且現在還記著,像油菜花、一抹夕陽、朝霞、滿天的星星,或者門縫的一道光,印象都特別地深。特別是各個季節的氣氛,甚至於氣息,都能在風景畫中聞到、感受到。
通過畫風景,養成了觀察身邊環境的習慣,比如注重人對季節的感受。像我畫一些老鎮、田野,自然就培養了對自然的親近感。雷雨之前,雷雨之後,春天的雨,冬天的雨,秋天的雨,下雪,打霜,由於平時的訓練,對這些現象特別敏感,並不是多穿件衣服或者少穿件衣服這種簡單的適應,能感覺到的是季節對人的情感、情緒上的觸動,就很想一畫。
風景畫建立了人與自然很親切、很自然的交流關係。
我早期的風景畫訓練在背景、氛圍上對現在畫畫有很大的幫助。
My art began with landscape painting. Though I am getting old, when I think about my career, I will recall the scenes of making sketches as a boy. Land- scape was our apprenticeship, and I do not know how we view it today. At that time, my perception of nature, climate and subjects was spontaneous. I still remember how I was profoundly impressed by rape flowers, sunset, morning glow, stars, or a ray of light from the crack of a door. I can smell the atmosphere, even aroma of each season in the landscapes.
I was accustomed to observing my environment and taking note of our perception of seasons by painting landscape. I feel an affinity with nature by painting old towns and land. I become sensitive about natural phenomena in the daily artistic practice before and after a rainstorm, about rainfall in spring, winter, autumn, about snow and frost. It is not simple adap- tation like putting on more or less clothes, I also feel touched emotionally by the seasons, thus getting uniquely inspired.
Landscape painting establishes for us a familiar rap- port with nature. My early practice in landscape is beneficial to a grasp of background and atmosphere.
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