陳農登月組照（1）
今夕何夕——陳農 •李悅攝影展
開幕時間： 2007 年6月2 日，星期六 下午 3 ： 00PM
展覽時間： 2007 年6月3 日至2007 年7 月1 日
展覽地點：北京市朝陽區酒仙橋路 2號 798大山子藝術區 2號院 潛 •空間（紅門畫廊對面）
聯絡電話： 010 64337416 \ 13911195654
參展藝術家及攝影作品簡介 ：
李 悅 出生於1979.12
1996-1999 考入湖北省藝術學校音樂專業
2000-2002 考入中央戲劇學院導演係大專班
2002-2004 考入北京電影學院攝影本科專業
現居北京自由藝術家
“我看李悅的作品，除了有一種愉悅之外，更多的是一種悲情的流露，那悲情都是個體的孤獨，更是共性的失落。在我們遊走的世界，許多美麗的東西被丟失，被不經意間忽視，我們似乎永遠也找不到安全地帶降落，也找不到不結束的遊戲。
無論是降落傘，還是海豚，都是李悅喜歡的玩具，他用自己喜歡的玩具演繹著他的內心生活，表達著生命的得失。降落傘從天空落下，落在哪説不清。海豚在水裏飛，偶爾浮出水面，落下時是否還能回到原來的水面？這世界在不經意間改變，人類最大的痛苦也在不經意間流露出來。”
陳 農 生於1966 年，祖籍福建 1998年開始攝影 1990—1997年從事雕塑
展覽：
2005年，義大利羅馬攝影節
2006年， [兵臨城下攝影展 ] 大山子 798
2007年，《在》 —陳農攝影個展
主要作品：《紫禁城》、《三峽》、《登月》
作品收藏：瑪勃洛畫廊、紐約現代美術館 MOMA 、芝加哥畫廊
“《登月》這組圖片依然是以兵馬俑為主要拍攝對象，整個隊型及其背影跟西安出土的兵馬俑的隊型一樣。兵馬俑全部閉著眼睛，給人一種即現實又虛幻的感覺。宇航員作為一個特殊符號在月球上出現，視覺上與兵馬俑的對照形成了錯位和統一感。四張圖片連在一起就是月球的表面。這組圖在告訴我們，當宇航員登上月球的時候，兵馬俑早已在上面了，人類慾望的膨脹沒有疆界。
陳農的攝影作品就像他的名字一樣，總有一種塵埃之氣，人類在宿命中承載著過去和未來，他的作品與其説人類沒有未來，倒不如説人類一天天在倒退。
前方沒有天堂，天堂在走過的地方。”
TODAY OR TOMORROW
CHEN NONG AND LI YUE PHOTOGRAPHY SHOW
Opening Reception: June 2, 2007, 3:00PM-6:00PM
Exhibition Time: June 2 to July 1, 2007
Venue: Potential Gallery 798 Dashanzi art center , No.2 Jiu Xianqiao (Opposite to Red Gate Gallery )
Contact: 010 64337416/ 13911195654
A BRIEF INTRODUCTION OF THE ARTISTS:
CHEN NONG, born in 1966, Fujian Province
1985 Started painting creation, then sculpting for 7 years
2000 Started photography art in Beijing
Major Photography Work Series:
《Forbidden City 》、《Three Gorges 》、《Climbing to Moon 》
Exhibition :
2 005, Rome Photography Festival, Italy
2006, "The Attacking Army Has Reached the City Gates" Photo Exhibition, 798Dashanzi Art Center, Beijing
2007, Chen Nong Photo Solo Show in Chicago, USA
Major Photography Work Series: 《Forbidden City 》、《 Three Gorges 》、《 Climbing to Moon 》
Collection by: Marlborough Gallery , M OMA Museum of Modern Art in NYC, Chicago Gallery of USA etc.
" 《 Climbing to Moon》 series work by Chen Nong used warriors again in the photograph. The whole formation of Warriors in the work, as well as background, remains the same as that in Xi'an (the ancient site). The warriors close their eyes in the picture, giving a feeling that is both real and fictional. Astronaut, as a special symbol, appears in the Moon; it results in a contrast with warriors from visual point of view, thus form a feeling of both integration and false position. The four works linked together are just the surface of the Moon. When astronaut climbs to the Moon, warriors have been found to be there already. Human's desire extends no limit.
Chen Nong's photograph is just like his name, always filled up with a style of flowing dust. The destiny of Human carries both the past and future; his work rather delivers that Human deteriorate each day, than that Human have no future.
There is no Heaven ahead of us, Heaven is in which we passed by."
Li Yue born in 1979.12
1996-1999 Studied in the Music Dept. of Hubei Art School
2000-2002 Studied in the Directing Dept. of Central Academy of Theatre
2002-2004 Studied in the Photography Dept. of Beijing Film Institute
Now resides in Beijing as an independent artist
"My impression on Li Yue's work is rather an expression of melancholy, than an enjoyment. It is a more commonality of loss, not just an individual solitude. Today, many beautiful things have been elapsed, neglected unconsciously from the world, while his work seems to us as if we could never find a safe place for parachuting, neither an endless game.
Whether it is a parachute, or dolphin, is Li Yue's favorite toy. He illustrates his inner life with his toys, expressing the gain or loss in life. It is unclear where the parachute lands from sky. Dolphin flies in the water, sometimes jumps over the water. Would it return to the original place of water after jumping? This world is changing unconsciously, while the big pain of Human has been streamed out simultaneously."
陳農登月組照（2）
陳農登月組照（3）
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