張新權的風景畫在風格上十分成熟，很有學院風範。中國油畫在風景題材上的表達，在很長時間內是寫實主義的，客觀敘事的比較普遍。從而使風景畫只有題材性而無主題性，主要問題是缺少主體對風景客體的獨特感受和理解。在語言上以自然為取法比較多，藝術家的主觀精神少。張新權的風景藝術是屬於新一代風景表達型的，他在藝術上的特徵是注重自己對風景的獨特意識，同時追求語言本身的獨立價值和地位。

——鄧平祥

The landscapes of Zhang Xinquan are quite mature and academic in style. Chinese landscapes, over the years, are realistic and narrative at large, and they are filled with stuff, rather than themes. The main cause for that might be the lack of unique perception and comprehension of sceneries by artists, who tend to focus on nature itself rather than express their own subjective perception. The landscapes of Zhang Xinquan, however, belong to a new style, which are expressive with sceneries. His style lies in his unique understanding of landscapes, and his pursuit of independent value of his artistic language.

-- By Deng Pingxiang