將不可名狀之物轉換為有形式的物體，追問“何謂感覺”
Invisible subjects are converted into physical objects, in an effort to reveal“what are feelings”
藝術家簡介
何翔宇
1986年生於遼寧省
何翔宇的創作實踐可以被視作各類個體、社會和政治主題的材料測試場和觀念實驗室。作為一名在中國迅速城市化時期成長起來的藝術家，何翔宇嘗試由物體間的轉化體現或引導感知。他曾入圍2014年平丘克“未來世代藝術獎”決賽，獲得2016年CCAA年度“最佳年輕藝術家獎”以及2016年的“ARTNET新銳藝術家獎”。曾參與的主要展覽及展映包括：“全球都市1.5:延展智慧”國際藝術雙年展（2018）；“故事新編”電影展映項目（電影作品《The Swim》放映），古根海姆美術館，紐約（2017）；卡蒂斯特藝術基金會“土與石,靈與歌”亞洲藝術巡迴群展（2016－2018）；里昂雙年展，里昂（2015）；上海雙年展（2014）；橫濱三年展（2014）；釜山雙年展（2014）等。
He Xiangyu
Born in Liaoning Province, China, in 1986
He Xiangyu’s art practice could be seen as a proving ground or a laboratory of mate-rials and concepts, in which he investigates and engages with a variety of personal, social and political subjects. Grown up from a dramatic period of rapid urbanization in China, He’s practice is centered on representing or manipulating cognitive senses through transformation between different materials. He Xiangyu was named as a final-ist for the“Future Generation Art Prize” (2014), and won the 10th CCAA“Best Young Artist” Award (2016) and the“ARTNET Emerging Artist Prize” (2016). Recent exhibi-tions include: Cosmopolis #1.5: Enlarged Intelligence. Centre Pompidou + Mao Jihong Art Foundation, Chengdu, China (2018); Tales of Our Time Film Program (Screening of the film“The Swim”), Guggenheim Museum New York, New York (2017); Soil and Stones, Souls and Songs by Kadist Art Foundation (2016-2018); Lyon Bien-nale(2015); Fire and Forget: On Violence, KW Institute for Contemporary Art, Ber-lin(2015); Shanghai Biennale (2014); Busan Biennale (2014).