藝術家 1958年生於北京 清華大學美術學博士 北京電影學院教授
劉旭光對世界美術發展的脈絡和新媒體藝術有深入的研究。早年留日並接觸物派藝術，研究東方思想創造質覺美術理論，在當代藝術體系中探索形質與介質的語言在視覺中的可能性；從視覺的物理性媒介到數字媒介表達方式進行了深入持久的探索。並以質覺理論為基礎指導創作；1991年完成「天地」系列繪畫作品，1997年創作「天眼」裝置作品，2001年創作「懸空界」裝置作品；2004年至2013年創作「痕跡」系列繪畫作品。以數字媒材做介質2004年創作影像作品「墨滴」，2010年創作「我」數字交互影像作品，2011創作影像作品「墨核」，2013年創作介質電影「沒片」，2014至15年創作「衍場」系列繪畫作品。劉旭光的藝術創作極豐在形質和介質概念中創作中國當代的語言表達方式。劉旭光是質覺理念的創造者和質覺理念指導下是藝術創作的先行者是極富有影響力的著名藝術家。
Liu Xuguang Artist, born in Beijing in 1958, PhD in Fine Arts at Tsinghua University, Professor at Beijing Film Academy.
Liu Xuguang has much research experience in the recent developments of global fine arts and new media art. He studied in Japan and got to know the art of Mono-ha. He has done research in Eastern thoughts and created the theory of Essence theory in fine art, whereby he explored the issue of formal essence and medium in contemporary art. His long-time visual exploration are expressed both in material medium and digital form. Based on his theory of Essence, he painted the series "Heaven and Earth" in 1991, created the painting installation works "Heaven's eye" and "Suspension" in 1997 and 2001 respectively, and painted a series of paintings titled "Marks" from 2004 to 2013. As for the works in digital form, he made the video "Ink" in 2004, the interactive digital work "I" in 2010, the photograph "The River of Ink" in 2011, and the medium film "mò Image" in 2013. Liu's artistic production has been very fruitful. Utilizing the concepts of Essence and Medium, Liu creates his own abstract way of expression that is uniquely Chinese and informational. Liu is the creator of the concept of Essence, a predecessor of artistic production guided under the concept of Essence, as well as an influential and famous artist.
劉旭光_懸空界_DF
懸空界展覽現場，日本東京SOL藝術畫廊
Suspension on exhibition, SOL Gallery Tokyo Japan, 1999
懸空界
懸空界，裝置，墨、礦物質顏料、銹、骨膠、蛋清、宣紙、照片
Suspension, Installation, Ink, Mineral-Color, Rust, Bone-Glue, Albumin, Rice-Paper, photograph, 1999