漆彩永恒——全龍福漆畫展介紹

時間:2011-04-06 10:11:08 | 來源:藝術中國

展覽>

展覽名稱:漆彩永恒

     東方的米開朗基羅——全龍福漆畫展

     Eternal Color

     Michelangelo in the East—Jun Yongbok Natural Lacquer Painting             

     Exhibition

展覽時間:2011 年 4 月 6 日—4 月 16 日

     April 6—16, 2011

開幕時間:2011 年 4 月 6 日 下午 2:00

     2:00 p.m., April 6, 2011

主辦單位:文化部中外文化交流中心

     Center of International Cultural Exchange, Ministry of Culture,   

     P.R. China

展覽場地:中國美術館 3 號廳

     Hall 3, National Art Museum of China

展覽介紹

由文化部中外文化交流中心主辦的“漆彩永恒——全龍福漆畫展”,將於 2011 年 4 月 6日至 16 日在中國美術館舉行。此次展覽是南韓著名漆藝家全龍福在中國舉辦的首次個人展覽,將展出其 2005 至 2011 年間創作的 50 余件精品漆畫代表作,本次展覽由中國漆畫之父——喬十光親自擔任策展人,併為展覽題詞。

全龍福,1952 年生於南韓釜山,1973 年開始投身於漆畫藝術的研究與創作,現任(株)巴洛克 C&F 漆藝研究所所長、釜山靈山大學教授、日本岩山漆藝美術館(世界最大漆藝美術博物館)館長、日本文化藝術振興審議委員會委員等職務。1988 年至 1991 年,全龍福耗時三年復原了日本著名宴會廳——目黑雅敘園的漆畫作品,從而奠定了他在世界漆畫領域的地位。此外,全龍福還常年往返于南韓和日本,從事漆畫藝術的創作和教育工作,為亞洲現代漆藝的發展做出了積極的貢獻。

Sponsored by the Center of International Cultural Exchange (CICE), the “Eter Color–Jun Yongbok Natural Lacquer Painting Exhibition”, Mr. Jun’s first exhibition in China,will display at the National Art Museum of China from April 6th to 16th, 2011. More than fifty of his masterpieces created from 2005 to 2011 will be displayed in the exhibition. As the Father of Chinese Lacquer, Qiao Shiguang is this exhibition’s curator and has given an inscription for the exhibition.

Born at Busan, Korea in 1952, Mr. Yongbok Jun has dedicated himself in studying and creating natural lacquer arts since 1973. Now he is the director of Baroque C&F Co., Ltd. Natural Lacquer Art Institute, professor of Youngsan University, the president of Iwayama Lacquer Art Museum in Japan, the largest natural lacquer arts museum of the world, and the member of the Japanese Culture & Arts Promotion Association. From 1988 to 1991, Mr. Jun restored thousands of treasure-level masterpieces in Meguro Gajoen, an art center located in Tokyo, which made him a global master in the field of natural lacquer arts. Nowadays, Mr. Jun travels back and forth between Korea and Japan for natural lacquer art creating and teaching, which made a positive contribution to the development of modern natural lacquer arts in Asia.

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