畫風景是最有意思的 IT IS MOST INTERESTING TO PAINT LANDSCAPES
當年的風景畫更多的是創作,是寫生。現在的風景畫中的主觀層面較多,寫生的成分較少,很多都是憑記憶作畫。寫生主要用素描,每次出行我都帶素描本,回來後,馬上畫兩筆,所以我的水彩已經不是地道的水彩,有淡彩的味道。當然,油畫是寫生的多。當年是正兒八經,正如要點一首歌唱一唱,沉重感要重一些。現在主要是與家人、朋友一起出去玩的時候,我在一邊畫幾張,更多的是很情緒化的東西,就像看到一個感興趣的東西,很隨意的抒發,高興,覺得很過癮。
對我來説,最好的休息就是如哼小調般地畫畫,很輕鬆,又有很深情的懷舊感:當初考附中、美院時的感覺。所以畫風景是最有意思的。
At that time I was creating sketches of nature, but now I integrate more subjectivity by painting from memory. I took my sketchbook wherever I went and added some strokes after return. So my watercolours are somewhat like light colours. My oils came from nature of course. Then I was conscientious; I felt grave like choosing a song in karaoke singing. But now I paint something when sightseeing with family members or friends. The works are sentimental; when I get interested in something, I just want to sing it out casually and I feel happy and satisfied.
The best rest for me is painting, and it’s like casually humming a tune, with a touch of nostalgia—think- ing of my days before being enrolled by my high school, and my time in the rigor of examination to enter college. So it is most interesting to paint landscapes.
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