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[專稿] 七巧/ Tangram

藝術中國 | 時間: 2008-02-28 09:06:37 | 文章來源: 藝術中國


 

  展覽名稱: 七巧/ Tangram
  展覽日期: 4/3/2008-28/3/2008
  開幕酒會: 12/3/2008(17:00 – 24:00) Hong Kong Art Walk
  參與藝術家: 呂振光, 朱德華, 區凱琳 楊宇靈 ,左奇霖, 侯驍彝, 李教任 LUI CHUN KWONG.,ALMOND CHU,AU HOI LAM , YOLANDA YEUNG ,ZUO QILIN, HUO XIAOYI, LEE KYO IM

  展覽前言: 七巧板是一種拼圖遊戲,由一個正方體分割出來的七塊幾何色板組成,通過拼湊、組合可以砌出過千的圖案。由七巧板拼出的圖案是一輪廓表徵,它所鉤勒的是事物的邊界,一種簡化而深刻的印象。像繪畫與攝影在媒體的歷史意義下它是帶含一種被經驗歸納而可理解的視覺語言(visual language),藝術家在特定的二度平面的空間中展現他們獨一的思考與銳覺。雖然當代藝術發展至今日己不存在所謂媒體意義的問題,跨媒界/超文本/違規/犬儒/否定/拒絕…多元無而定向的特質令藝術走向無邊的領域。但通過不同的藝術家的能量注入單純的創作媒仍然表現出無極的可能。

  Tangram is puzzling game, including seven pieces of geometric dissections which are separated from a square. It can compose and piece up to over 1,000 Graphics. Every graphics from tangram is presented as a contour of objects, a characteristic outline as well. It is simply but has left deep impression abstract from people cognition. Painting and photography as well, are presenting an apprehensible visual language which is generalized from people experiences and historical denotation of medium. Artists express their unique thinking and perspective through the two dimension canvas’s area.

  Comprehensively looking at the resent development, contemporary art is successively nothing to the medium itself. Cross-media, hyper-text, cynic, refuse, rejecting the rule…seems to place the art itself to be a diverse and multi-position on the way to an illuminable area. Even so, through different artist’s creative energy injection, a pure media can still display an infinite possibility.

  主辦單位: 不一藝術EDGE GALLERY
  香港銅鑼灣禮頓道60C地下(禮頓裏轉入)
  G/F, 60C Leighton Road, Causeway Bay, Hong Kong.
  網址/Web-site:www.edge-gallery.com
  電話/Tel: 852-2887 0313 傳真/Fax:852-2887 0451
  電郵/Email: info@edge-gallery.com



 
 
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