綠校海報－been
綠校是一個來自網際網路的新銳藝術團體（www.lvxiao.com)，他們以非職業的方式將藝術融入生活。這次成立五週年他們將通過現場塗鴉來呈現新一代年輕藝術家對於生活和藝術的態度。同時還會展出綠校成員設計的海報。而先鋒電子音樂人也將配合綠校的視頻短片集進行現場表演為活動助興。這不是一次單純的藝術展覽，因為作品是在展覽開始後添加上去並會不斷有新的塗鴉貫穿整個展覽，這也不是一個純粹的聚會，因為所有的人都會流連現場創作和朋友交談之間 ，這是中國青年藝術一代的生活方式。
如果你不懂樂器，你可能無法登臺表演。
如果你不是藝術家，你仍然可以來塗鴉。
綠校五週年現場塗鴉潛?空間畫廊給您留塊白墻
（展覽期保留白墻提供給參觀者塗鴉）
策 展 人： 李貴明
開幕時間： 2007年8月4日，星期六 1 ：00PM
展覽時間： 2007年8月5日至2007 年9月4 日
展覽地點： 北京市朝陽區酒仙橋路2號 798 大山子藝術區2號院 潛空間（紅門畫廊對面）
聯絡電話： 010 64337416 \ 13911195654
郵 箱： qianart@gmail.com
網 址： www.pgart.com.cn
關於塗鴉 :
塗鴉這飽含"嘻哈"文化的涂寫藝術從一問世就因為其政治話題，反叛傳統等引來人們對於其合法性和藝術性的爭議。人們認為塗鴉是破壞城市環境的頑疾， 塗鴉青年更是具有危險性的人群。隨著1973 年在曼哈頓的SoHo區舉辦過一次大型塗鴉畫展，吸引了眾多媒體的關注 ，到塗鴉藝術家哈林與安迪沃霍聯合創作， 塗鴉藝術最終還是進入了美術館這種藝術的殿堂。而綠校這些年輕人生活在幸福的環境下，他們喜歡嘗試創新，相比較傳統他們更容易接受新的文化和審美，他們的塗鴉一開始就不是一種宣泄、也不是一種宣戰。這些塗鴉內容不是精心的策劃、沒有精緻的變形文字符號、沒有了大塊的漂亮色彩。 這些塗鴉的手法更接近中國傳統精神的"忽來案上翻墨汁、塗抹詩書如老鴉"，簡單的線條看似隨意的筆觸，玩世不恭的形象都帶有中國年輕一代在中西文化碰撞時期的獨立思考，相比較背負沉重的振興中國當代藝術的一些藝術家們，這些自由的非職業的創作因為沒有束縛，變的放鬆、本真。
關於綠校 :
" 綠校(lvxiao.com)是一個誰都可以參加的開放性社團。你在這裡留言，參加綠校的聚會或展覽，都算加入綠校了。 "這是綠校網站的開篇語，沒有比這更讓年輕的一代更興奮的了，於是有很多人留言，於是很多人就加入進來。 綠校是以網路為平臺的自發性的青年藝術團體。他們以團體的開放性和民主性來踐行藝術的大眾化；同時強調藝術對社會的責任。這裡很多成員在工作之餘以業餘身份堅持創作。他們對傳統藝術審美産生質疑，不屑于職業化和專業化的身份，在這裡沒有衡量精英標準的門檻，他們以自己的思維方式來闡釋生活、藝術，然後通過平面，動畫 ，繪畫， 攝影，雕塑，裝置等手段來表達。這裡是純粹的展示和交流的平臺，鼓勵所有對藝術感興趣的年輕人的參與進來創作出屬於自己的作品，這裡充滿生機蘊涵著愛、平等、自由、實驗、創新、開放的精神。 經過五年的發展在這沒有任何約束的社團中，有人來了也有人走了，目前為止綠校包含了來自全國各地的近百人。他們是設計師、他們是藝術家、他們是一個普通的上班族、學生、甚至無業者，他們都把這裡看作是一個精神家園，很多人是沒有見過面的朋友，很多人是通宵達旦聊生活的朋友，他們都是來自綠校的朋友。
2002 年 綠校創建
2005 年11月 綠校新部落格開通
2006 年02月 綠校部分成員參加西五藝術中心 "打眼"新視驗展
2006 年05月 綠校首屆年展在星空間畫廊
2006 年09月 綠校雜誌創刊
2006 年10月 城市畫報的創意集市
2006 年12月 綠校和朋友們展覽在現在畫廊舉行
2007 年02月 首屆綠校創意集市在中關村廣場購物中心舉行
2007 年05月 綠校和綠色和平組織在海淀公園的迷笛音樂節期間聯合塗鴉
2007 年06月 綠校部分成員參加上海美術館果凍時代展覽
2007 年06月 綠校部分成員參加大聲展
公益活動： 2006年 6月綠校開始海淀培智學校教孩子畫畫（時間一年）
出版：
2006 年05月 綠校第一套卡片
2006 年12月 綠校卡片第二套
2006 年12月 綠校第一本畫冊
綠校部分成員參與創作畫冊：
2007 年《sc》漫畫書
2007 年《cult青年的選擇》
Lvxiao Fifth-Year Anniversary Event of On-site
Graffiti and Poster Design
Lvxiao is a cutting-edge art group from the internet (www.lvxiao.com), who fuse art into life in non-occupational ways. On this fifth-year anniversary their attitudes toward life and art as a new generation of artists will be evident through graffiti making on the site. At the same time Lvxiao posters designed by Lvxiao members will be displayed as well. In addition, performances by pioneer electronic musician will add to the fun of the event as the tunes accompany a projection of
Lvxiao video shorts. This is not an everyday art exhibition; the work starts after the exhibition opens and keeps adding. This is not a pure gathering; those who are here will be flowing between creating and conversing. This is the lifestyle of the young Chinese art generation.
If you can't play an instrument, you may not be able to perform on stage.
If you are not an artist, you still can come to graffiti.
Potential Gallery for Lvxiao Fifth-Year Anniversary of On-site Graffiti has a white wall saved for you.
(white walls are retained throughout the exhibition period for visitors to graffiti)
Curator ： Li Guiming
Opening Reception: August 4, 2007,1:00PM-6:00PM
Exhibition Time: August 5 to September 4, 2007
Venue: Potential Gallery 798 Dashanzi art center , No.2 Jiu Xianqiao (Opposite to Red Gate Gallery )
Contact: 010 64337416/ 13911195654
E-mail ：qianart@gmail.com
Website ：www.pgart.com.cn
On Lvxiao
"Lvxiao (lvxiao.com) is an open artistic group that anyone can join. You are part of Lvxiao if you leave a message here, or participate in a Lvxiao gathering or exhibition." This is the introduction phrase of
the Lvxiao website. There is nothing that excites this young generation more. And, many people leave messages, and, many people join the artistic group. Lvxiao is a self-driven young artistic group that uses the internet platform. They practice to make art for the mass with the open and democratic nature of their group, at the same time stressing for the responsibility that art has for society. Many
members create art as non-occupational during their spear time to doubt the aesthetic of traditional art. They disdain in vocational and professional status. There is no elitist standards, they have their
own ways of thinking and explaining art and life. They express them through making graphics, animation, painting, photography, sculpture, installation and other artistic means. This is a pure platform for exhibition and exchange, encouraging all young people interested in the art to participate and create their own work. There is full of love, equality, freedom, experimentation, innovation, and open spirit. After five years of development of this artistic group without restrains, people have come and left. Up to now Lvxiao includes nearly a hundred people from all over the country. They are designers, they are artists, they are ordinary office workers, students, even the unemployed. The regard Lvxiao as a spiritual home, many are unmet friends, many are friends with whom you can chat through the night. They are all friends of Lvxiao.
On Graffiti
Graffiti, a scribble art which stemmed from "hip pop" culture has been controversial since its birth for it's rebel of tradition and political topics, leading people to question the legal and artistic legitimacy of this art form. The public considers graffiti as destructive to the urban environment, and graffiti youth as a dangerous crowd. With a large-scale graffiti art exhibition being held in the SoHo district of Manhattan in 1973 that attracted widespread media attention, to the collaboration of graffiti artist Harling and Andy Warhol, eventually graffiti art entered the hall of art museums. The young people from Lvxiao are surrounded with happiness, and they enjoy innovation. They are more accepting of new cultures and aesthetics in comparison to the traditional. Their graffiti did not start as a vent, nor is it a war declaration. The contents of these graffiti are not carefully planned, there is no intricate symbols of deformation, and there isn't any large chunks of beautiful colors. These graffiti practices are closer to the traditional Chinese spirit of simple lines drawn out of seemingly random brush. The cynical images carry the independent thinking of the Chinese young generation, who lives in a collision of Chinese and Western cultures. In comparison to the artists who are shouldering a heavy burden of revitalizing Chinese contemporary art, these free and non-occupational works are relaxed and true, for that there is no restraints.
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