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出品：千高原藝術空間
藝術家：何多苓、何工、師進滇
特邀學術批評：王林、管鬱達、漆瀾
出版物：《多元事實：何多苓、何工、師進滇》
開幕酒會：2008年2月29日（星期五） 下午3點—6點
展覽時間：2008年2月29日——2008年3月31日
展覽地點：千高原藝術空間（成都），四川省成都市芳沁街87號 郵編：610041
開放時間：星期二至星期日，10:30—18:30
電話：+86（0）28 8515 8238/8512 6358
傳真：+86（0）28 8515 8238
郵箱：info@1000plateaus.org，1000plateaus.cn@gmail.com
網址：http://www.1000plateaus.org
主題闡述：
長此以往地，知識分子作為文化研究的生産力量而存在。當代我們期望找到一些能與傳統知識分子（traditional intellectuals）相對應——不回避傳播知識觀念的責任，也即是不斷反思自我精神及一切現象世界的知識分子特例。這也即是葛蘭西·安東尼奧（Antonio Gramsci）提到的“有機知識分子”（organic intellectuals）。
千高原藝術空間（A Thousand Plateaus Art Space）出品的“多元事實：何多苓、何工、師進滇”作品展，選擇在展覽呈現中體現出他們作為“有機知識分子”的面貌，而他們的作品所帶來的多元事實則允許所有觀眾按照自我的理解尺度去暢想作品。“千高原”（A Thousand Plateaus）作為呈現之場所，能做的是在策略上的、臨時性的詮釋本質，更多的是設想讓出彈性空間，給觀眾參與思考的自由。因而，如是的構成作品的“多元事實”（multiple truths）。
Multiple Truths: He Duoling, He Gong and Shi Jindian
Director: A Thousand Plateaus Art Space
Artists: He Duoling, He Gong and Shi Jindian
Academic critics: Wang Lin, Guan Yuda and Qi Lan
Publication: “Multiple Truths: He Duoling, He Gong and Shi Jindian”
Opening Reception: 2008.02.29 (Friday) 3pm-6pm
Exhibition Time: 2008.02.29 – 2008.03.31
Address: A Thousand Plateaus Art Space Chengdu
87 Fangqin Jie, Chengdu
Opening Hours: Tuesday to Sunday 10:30 – 18:30
Tel.: +86 (0)28 8515 8238 8512 6358
Fax: +86 (0)28 8515 8238
Email: info@1000plateaus.org
Web: www.1000plateaus.org
Preface:
Intellectuals are since time memorial the productive power behind cultural research. We now wish to touch upon some specific cases of intellectuals who - in contrast to the traditional intellectuals - don’t abdicate their responsibility of intellectual propagation, continuous self- introspection and reflection on the worldly phenomena. This is what Antonio Gramsci calls “organic intellectuals”.
The exhibition Multiple Truths: He Duoling, He Gong and Shi Jindian, directed by A Thousand Plateaus Art Space seeks to reveal the ‘organic intellectual’ faces of these three artists. The multiple truths brought to light by their works allow people to indulge in their own thoughts following their own understanding and interpretation of the artworks. ‘A Thousand Plateaus’ as the room where the artworks are being exposed, wants to provide an elastic space with a tactful and provisional annotating character, where people can give free reign to their thoughts and where the multiple truths of the artworks are consequently being generated.
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