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【演講者介紹】凱文·墨菲(Kevin M. Murphy)

藝術中國 | 時間: 2013-11-09 14:16:27 | 文章來源: 藝術中國

   

凱文·墨菲(Kevin M. Murphy) (觀看視頻)

     Kevin M. Murphy is the Eugénie Prendergast Curator of American Art at the Williams College Museum of Art in Williamstown, Massachusetts. Murphy came to WCMA from the Crystal Bridges Museum of American Art in Bentonville, Arkansas where he was Curator of American Art. Joining Crystal Bridges in March 2011, he was part of the curatorial team responsible for the inaugural presentation of the permanent collection when it opened on November 11, 2011. He also managed the Tyson Scholars of American Art, a residential fellowship program with a $5 million endowment. Murphy collaborated with colleagues from the Louvre, Terra Foundation for American Art, and High Museum on a series of focused exhibitions presented in Paris, Atlanta, and Bentonville on major themes in nineteenth century American art, bringing together American, British, and European art from the four collections. Prior to arriving in Bentonville, Murphy was the Bradford and Christine Mishler Associate Curator of American Art at the Huntington Library, Art Collections, and Botanical Gardens. He holds a Ph.D. in art history from the University of California Santa Barbara.

    凱文•墨菲:馬薩諸塞州威廉姆斯郡的威廉姆斯大學美術館的美國美術館分館長,此前,曾任阿肯薩斯州本頓維爾的水晶橋藝術館美國藝術分館館長。墨菲教授于2011年3月進入水晶橋美術館工作, 參與策劃了于2011年11月11日舉辦的水晶橋美術館開幕展,該展覽展出了水晶橋美術館的永久收藏。此外,墨菲教授擔任泰森美國藝術獎學金的管理工作(此獎學金捐款額達500萬美元)。墨菲和來自盧浮宮、泰拉美國藝術基金會和亞特蘭大藝術博物館的同行們合作,將四個博物館中的美國、英國和歐洲藝術作品匯集起來,在巴黎、亞特蘭大和本頓維爾舉辦了系列展,展覽主題集中于19世紀的美國藝術。在去本頓維爾工作之前,墨菲還曾經擔任布拉德福德和克裏斯汀•米什勒美國藝術館的副館長,在漢丁頓圖書館,藝術收藏及皇家植物館任職。他在加州大學聖塔巴巴拉分校獲得藝術史學博士學位。

    Preview of the Speech:

Thinking Globally, Acting Locally:Presenting American Art at Crystal Bridges  

 Crystal Bridges Museum of American Art, located in the small town of Bentonville Arkansas that in turn is situated near the middle of the United States, opened in November of 2011. It is a large, ambitious museum fully cognizant and embracing of its local community but also charged with connecting that community to the nation and the globe through its collection and programming; and conversely connecting the world to Bentonville. For the inaugural installation, curators had the opportunity to present the collection unencumbered by institutional traditions or preconceived audience expectations. However, as a museum collecting only paintings, sculpture, and works on paper made in the United States or North American Colonies, curators also had constraints on their ability to reach beyond American borders. This talk addresses how Crystal Bridges seeks to balance the local, national, and global through a collection that is thoroughly American.

    發言概要:

思想的全球化和行為的本土化:美國藝術在水晶橋博物館的展示

水晶橋藝術館坐落于美國中部本頓維爾市的阿肯色州小鎮,于2011年11月向公眾開放。這是一座規模較大,並富有抱負的美術館。不僅被當地民眾熟識和喜愛,並且通過其收藏與規劃將本頓維爾與整個美國甚至全世界聯繫在一起,同時也將世界展現在了本頓維爾面前。在策划水晶橋藝術館開幕展覽中,策展人雖然獲得了一次不受美術館傳統、觀眾期待等因素束縛的機會,但作為一家只收藏美國和北美殖民地地區的油畫、雕塑和紙本作品的藝術館,策展人要突破美國邊界是一項極大的考驗。這次演講主要介紹水晶橋美術館如何通過單一的美國藝術作品收藏,平衡本土化、國家化和全球化之間的關係。

 

 

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