《花好月圓》——余氏中國當代藝術典藏展
展覽時間:2008年12月18日~2009年3月16日
參展藝術家:陳墻、方力均、俸正傑、盧昊、李曉靜、潘德海、潘劍、祁志龍、石新寧、武明中、王廣義、徐冰、楊少斌、楊勁松、葉永青、尹朝陽、岳敏君、曾梵志、張曉剛、鄭德龍、周鐵海、周金華、鐘飆、鄒操……
地址:印尼雅加達余德耀美術館
----YUZ COLLECTION OF CHINESE CONTEMPORARY ART
Artists:Chen Qiang,Fang Lijun,Feng Zhengjie,Lu Hao,Li Xiaojing,Pan Dehai,Pan Jian,Qi Zhilong,Shi Xinning,Wu Mingzhong,Wang Guangyi,Xu Bin,Yang Shaobin,Ye Yongqing,Yin Chaoyang,Yue Minjun,Zeng Fanzhi,Zhang Xiaogang,Zheng Delong,Zhou Tiehai,Zhou Jinhua,Zhong Biao,Zou Cao...
Opens to public from 18th Dec 2008 to 16th Mar 2009
ADDRESS:YUZ MUSEUM
Darmawangsa Square unit 31-33,the city walk jl,darmawangsa VI&IX jakarta .
Jakarta Yuz Museum Grand Opening/雅加達余德耀美術館開幕典禮
余德耀美術館于2008年12月17日在印尼雅加達正式開幕
余德耀美術館,位於雅加達的南部Dharmawangsa廣場大廈區的五層樓,
是印尼首個由印尼官方承認的私人美術館。印尼前總統梅嘉瓦蒂女士前來祝辭,許多來自中國和當地的藝術家和愛好者們都到此地一起來見證余德耀美術館的開幕典禮。
開幕展覽 《花好月圓》由郭建超策展。
展覽包括了岳敏君、方力均、王廣義、張曉剛、祁志龍、盧昊、徐冰和四十多位中國具國際地位並最響譽的藝術家。此外,此次展覽也鼓勵了較年輕的藝術家,之中就包括了周金華,潘劍,李曉靜的作品。
由余德耀基金會所建設的余德耀美術館是在雅加達的第一個建立基礎和藝術的空間。其選址在北京、上海、雅加達和巴厘島。余德耀
美術館將切實地作為美術館來經營,並重視匯集發展、布展和公眾節目。
當匯集集中于中國當代藝術之時,美術館意欲促進在亞洲國家之中,特別是在中國、印度尼西亞和東南亞之間的審美和文化交流。
前述余先生, "我希望我的承諾能為藝術家和社會大眾匯集發展作為長期文化發展目標服務。
通過建立在雅加達的余德耀美術館,我想要展示當代藝術和文化的比較與欣賞物力論和潛力內部亞洲文化交流也許會刺激當代藝術的扣人心弦的發展。"
前述前總統梅嘉瓦蒂女士,"這個博物館的存在是一件好事。 即使在這裡我們已經有其他的私人博物館,但都是較小量的。
余德耀美術館是首度印度尼西亞文化部認同的第一傢俬人美術館,並且我希望這將設置為例對其他。
這個美術館的創立不僅將利益與加強印度尼西亞與中國之間的關係,它也將對其他國家帶來同樣的利益。
這是我會支援的一件事,並且我認為印度尼西亞人民還需要更多的這樣作品。"
余德耀美術館也建立了一個國際學術委員會。委員包括芝加哥大學的巫鴻教授
和新加坡美術館總監郭建超先生,並且邀請更多的藝術史學家和評論家決策美術館陳列、出版物和大眾節目。余德耀美術館是個非盈利性的機構,並將於每年設六到八個展覽。
Official Opening of the Yuz Art Museum in Jakarta on 17 December 2008The Yuz Art Museum, first private collection art museum endorsed by the Indonesian Ministry of Culture as a museum of public character, was officially opened by Ibu Megawati Sukarnoputri the former President of Indonesia.
Housed in a five story segment of a building complex, the Dharmawangsa Center, in Jakarta, the inauguration was attended by many in the Indonesian art collection community as well as many artists from China whose works are featured in the museum.
The inaugural exhibition, Lovely Blossoms and Full Moon, is curated by Kwok Kian Chow, featuring works by Yue Minjun, Fang Lijun, Wang Guangyi, Zhang Xiaogang, Qi Zhilong, Lu Hao, Xu Bing and some 40 of China's best known artists of high international standing. Also in providing encouragement to younger artists, the exhibition also featured a special segment of works by Mr Zhou Jinhua,Mr Pan Jian,Ms Li Xiaojing.
The Yuz Art Museum in Jakarta is first of a network of museums and art spaces to be established by the Yuz Foundation, sited in Beijing, Shanghai,
Jakarta and Bali. Operating strictly as museums, emphasis will be placed on collection development, curatorship and public programmes. While the collection focuses on Chinese contemporary art, the museums are intended to facilitate aesthetic and cultural exchanges among Asian countries, particularly between China, Indonesia and Southeast Asia.
Said Mr Yu, "I wish to show my commitment to the artists and society at large that collection development serves long term cultural developmental goals. By establishing the Yuz Art Museum in Jakarta, I want to show the dynamism of cross cultural appreciation of contemporary art, and the potentials that intra-Asia cultural exchanges may stimulate exciting developments in contemporary art."
In her speech, Ibu Megawati said, "The existence of this museum is a good thing. Even though we do have such events here once in a while, but they are all in smaller scale. Yuz Museum has taken the initiative to be the first private museum endorsed by the Indonesian Ministry of Culture, and I hope this will set as an example to the others. The establishment of this Museum not only benefits Indonesia by bridging good relations between Indonesia and China but also to the other countries. This is something that I will support and the Indonesian people will need more of such works. "
The Yuz Art Museum has established an international academic committee comprising Mr Yu, Professor Wu Hung of the University of Chicago, Mr Kwok Kian Chow of Singapore and will be inviting several more art historians and critics to be on the panel that will decide on the exhibition and publication programmes of the museum. Six to eight exhibitions a year are planned in this not for profit setup.
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