展覽海報

展覽名稱：呼喚

藝術家：李曉剛/張文平/喻昌農/汪鵬飛

學術主持：鐘涵

策展人：秦燁

主辦單位：橋藝術空間  

開幕時間：2022年12月10日 下午3:00

展覽時間：2022年12月10日—2023年2月22日

展覽地點：北京朝陽區酒仙橋路4號798藝術區D09-1

前    言

大家都知道，一個地區風物的特色，往往能促進相應範圍內他的文化藝術的發展。這是藝術繪畫史上常見的事情，例如我國歷史上有敦煌佛教石窟藝術的影響千年，古埃及法尤姆地方的蠟染工藝的發展聞名世界。我們多民族的國家疆域遼闊廣大，近十年來，甘南藏族自治州不斷地引起多地油畫家的熱忱關注，邊陲地區已逐漸形成一方采風、寫生和創作的新鮮熱土。那些具有地方特色的油畫受到廣泛的重視和研究。

李曉剛 《藏族女子》 30x40cm 酪素坦培拉 2021年

我與四位畫家都是前幾年在中央美術學院一個油畫高研班上結識的。那時我是班上多位老師之一。與二十多位從各地招來的藝術同行道友，在班上多年相處。去年春天他們四位來京策展，邀請我為此展作文介紹，所以有了本文。

張文平《收穫的季節》80×160cm-布面油畫-2019年

李曉剛同志有很好的學歷，早期原在解放軍藝術學院畢業，後來又到日本京都藝術大學等處留學，對西方油畫歷史以及技巧等領域已頗為熟悉，又關注了文藝復興早期蛋彩畫（弗朗切斯卡）等技法的操作，他回國後，再度到我們美院深度進修油畫寫實的新傳統。近年來還持續在李庚先生主導的李可染畫院教授弗朗切斯卡濕壁畫等課程。這次參展的作品中《汲水的女人》一圖，是他當年在高研班時期，在詹建俊老師指導下的出色作品。他的壁畫性大作《甘南拉卜楞寺僧眾圖》為山東收藏家所定制和收藏。此次參展同款作品是專為本次展覽重新加工精製，它出色地將名寺的風光、僧以及僧俗兩種生活雙向綜合深入，具有鮮明的創造性。

喻昌農-《路上景觀》220cmx200cm-布面綜合油彩2022年

 張文平同志本人就是甘肅人和甘肅畫家，他在我們高研班時已經帶同班友人多次前往甘南、那時的作品即已得獎，後來他的工作單位調離到廣西，從此又建立了三地畫家之間的聯繫。喻昌農同志在這個隊伍中是新來的高手，他早期遠赴俄羅斯進入聖彼得堡列賓美術學院讀完了從本科到研究生的全程，師從名教授梅爾尼科夫畫室，在2010年以油畫創作第一名畢業（作品是以西藏習俗《天葬》為題），隨後又在我院高研班畢業。喻昌農同志在藝術教學的師座和重新加深油畫創作系列所表現的就是對甘南遠山與厚土的反覆迴響！

汪鵬飛《拉卜楞49號-》80x100cm-布面油畫-2017年

我們在這裡介紹的第四位是與喻昌農一同多次去甘南埋頭工作的汪鵬飛同志。汪鵬飛當年也在高研班進修，後到廣西藝術學院工作，近年又再轉到中國美院全山石高研班深造，更見新績。他與喻昌農兩位如同兄弟一般，共同實踐甘南近年的新篇章。

我們高興地把這興發于遠山與厚土的呼喚、又經過四位畫家勤懇實踐落實下來的這個成果煥然表現出來了。

鐘涵

 2022年10月1日

Preface

As we all know, the characteristics of a region's scenery can often promote the development of its culture and art within the corresponding scope. This is a common thing in the history of art painting, such as the influence of Dunhuang Buddhist grotto art for thousands of years in our history, and the development of batik technology in Fayoum place in ancient Egypt is world famous. Our multi-ethnic country has a vast territory. In the past ten years, Gannan Tibetan Autonomous Prefecture has continuously attracted the enthusiastic attention of oil painters from many places, and the border areas have gradually formed a fresh hot spot for collecting customs, sketchmaking and creation. Those paintings with local characteristics have been widely valued and studied.

李曉剛-《兩個僧侶》-40x40cm--酪素坦培拉--2022年

I got acquainted with the four painters several years ago in an oil painting graduate class of the Central Academy of Fine Arts. I was one of several teachers in my class. With more than 20 art colleagues from all over the world, in the class for many years. Last spring, the four of them came to Beijing to curate an exhibition and invited me to write an introduction for the exhibition, hence I write this article.

張文平《轉場之三》60×60cm-布面油畫--2018年

Mr.Li Xiaogang has a good record of formal schooling, graduated in the PLA art academy, then study in the schools such as Japan's Kyoto university of the arts, has been very familiar with the western oil painting history and skills, and pay attention to the early Renaissance tempera (franco Francesca) techniques, after he returned home,he came back to our academy depth study the new traditions of realistic painting. In recent years, he has continued to teach Francesca fresco at the Li Keran Art Institute led by Li Geng. One of the works in this exhibition”A Woman collecting Water”, was his outstanding work under the guidance of Mr. Zhan Jianjun when he was in the senior graduate school. His mural masterpiece “Gannan Labrang Monastery monks" is customized and collected by Shandong collectors. The same work in this exhibition is specially reprocessed and refined for this exhibition. It excellently integrates the scenery of the famous temple, the life of the monks and the secular people, with distinct creativity.

喻昌農《金色的玉米粒》-220cmx200cm-布面綜合油彩2021年

Zhang Wenping himself is a Gansu province painter. When he was in our senior graduate school, he had taken his classmates to Gannan many times, and his works had won prizes at that time. Later, his work unit was transferred to Guangxi, and from then on, he established the connection between the artists of the three places. Yu Changnong is a new player in the team, his early entered Repin academy of fine arts in St Petersburg in Russia finished from undergraduate to graduate, under the famous Melnikov's studio, in 2010 he graduated first in oil painting school, then graduated in our high research graduate class. What Yu Changnong has shown in his art teaching and re-deepening oil painting series is his repeated echoes to the distant mountains and thick soil of Gannan!

汪鵬飛《遠渡之二》220x200cm-布面油彩-2021年

We are here to introduce the fourth painter that work with Yu Changnong many times to Gannan. Wang Pengfei also studied in the advanced research class that year, and then worked in Guangxi University of the Arts. In recent years, he was transferred to the Quan Shanshi advanced research class of China Academy of Fine Arts, and he has made new achievements. He and Yu Changnong as brothers, common practice Gannan in recent years.

We are happy to express the result which originated from the distant mountains and the thick soil, and which has been put into practice by the four painters diligently.

Zhong Han

October 1,2022

李曉剛

李曉剛

中國美術家會員

1983年畢業于解放軍藝術學院美術系

1992年日本國立大阪教育大學美術系繪畫技法專業碩士研究生畢業

1994-2000年京都造型藝術大學講師

2007年解放軍藝術學院兼職教授

2010年-2012年中央美術學院油畫創作高研班畢業

南韓牧園大學博士研究生導師

李可染畫院研究員，副院長

張文平

張文平

甘肅省慶陽市人

畢業于西北師範大學美術系

2009年進修于北京畫院

2010一2012年在中央美術學院第二屆油畫高級研究班學習

2017一2019年在文化和旅遊部舉辦的首屆主題性美術創作研究班學習

現為廣西藝術學院教授，研士研究生導師

中國美術家協會會員

喻昌農

喻昌農

江西萬載人 

2010年畢業于列賓美術學院

2012年畢業于中央美術學院油畫創作高研班

中國美術家協會會員

南昌師範學院教師

汪鵬飛

汪鵬飛

安徽省歙縣人

畢業于中央美術學院油畫係

任教于廣西藝術學院油畫係