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設計的立場

設計的立場

時間:   2010-04-26 16:31:15    |   來源:    藝術中國
展訊 >

都市實踐 土樓公舍

 

展覽時間:2010年4月28日——5月14日

展覽地點:一號館2層

Duration: April 28th- May 14th, 2010

Venue: 2nd floor exhibition hall of Building No.1

 

“設計的立場──來自中荷建築、服裝、書籍與産品設計的八種態度”由今日美術館、荷蘭建築學會 (NAI) 荷蘭設計、時裝與建築設計協會(DutchDFA) 共同舉辦。

此次展覽匯集了荷蘭中國兩國處於不同設計領域前沿八位設計師的頂尖設計作品,著眼于1990年以來荷中兩國的建築、平面設計、服裝、産品設計。

在選定的幾個領域裏,雖然有著不同的視覺與形式語匯、歷史、製作週期,和獨特的語境,參展的設計師卻都不約而同地採用了一種概念與實踐相結合的思考、工作模式,系統性地探索所從事領域的框架與邊界、追求創新。

參展設計師們將自己置身於多重的張力場中,其中包括大規模生産與傳統手工藝之間、受託任務與個人目標的追求之間、傳統與創新之間、市場需求與使用者需求之間、大型規劃與人的尺度之間、全球化效應與獨特身份訴求之間的張力。

 

‘Taking a Stance- 8 Critical attitudesin Chinese and Dutch architecture and design”. It is a joint exhibit by the Today Art Museum, the Netherlands Architecture Institute (NAi), and the Dutch Design, Fashion and Architecture Programme (DDFA).

This exhibition compiles cutting-edge work of eight different Dutch and Chinese front line designers in architecture, plan design, fashion, and product design since 1990.

In these selected fields, even though there are differences in visual style, format, use of words, history, production cycle and context, one will not be surprised to find commonalities, among the designers, in the way they execute concepts to the modes of working. They systematically explore the boundaries of issues of their concern and strive for innovation.

Thereby the chosen designers position themselves in multiple fields of tension, including those between mass production and traditional craft techniques, between work on commission and the pursuit of a personal agenda, between tradition and innovation, market demands versus the needs of users, large-scale planning and the human scale, and the effects of globalisation versus the call for distinctive identity.

 

 
Hella-Jongerius,-Frog-Table


 

 
OMA,-Tapei


 

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