2009王家增繪畫作品展
展覽時間：2009年3月7日 – 3月20日，11：00AM-18：00PM
展覽地點：XYZ畫廊，北京798藝術區798中二街D05
電話：010 8459 9299 / 13701104223
策展人：范學宜 成國琴
引言
“王家增為我們深刻地展示了一幅驚心動魄的人類異化的景象。王家增無一例外地為這些人物“統一著裝”，一律的藍制服，一律的幹部帽。這些亦工亦農，非官非商的人物，身份並沒有特指，它成為一種抽象的符號或象徵。今天的中國人在著裝上已經千姿百態，萬紫千紅，但是在王家增的作品中，這些人物卻仍然像30多年前那樣，人物都穿著沒有個性的藍色幹部服。我們不會忘記，這曾經是中國的重要標誌之一，因此西方人稱中國人為“藍色螞蟻”。王家增完全無視這種時代的變遷，又將這些藍色幹部服從衣櫃中翻出。但是，這些服裝並不表明王家增還在反思那個特殊的歲月，而是將其變作束縛和禁錮人類個性或人性的符號，這一詭異的符號，讓我們既恍若隔世，又宛若現實。在這種狀態中，我們也似乎進入了一個似死而活的境地。灰、黑色的調子，天地和萬物仿佛都由鐵塊鑄就，由此，濃重的冷酷感向我們襲來，不由使我們想到生死的問題。
在部分作品中，王家增好像有意打開一點他所鑄造的“鐵幕”一般的世界似的，他涂染了些許的紅色。這些紅色一如他在鐵盒子中放進的女人一樣，改變了一些冷酷，融進了一絲的溫情。但是，作品的基調依然是冷酷的。只不過這些“佐料”使得作者表達的主題突然變得具有了一定的相對性，減少一些絕對意義，因而也就變得有些活潑。但這只不過是王家增的“活潑”而已，或者説是“黑色的活潑”。
——摘自郭曉川的《鐵盒子裏的人談王家增的作品》
王家增藝術簡歷
1963年 出生於遼寧省瀋陽
1987年 考入魯迅美術學院版畫係。
公派到中央美術學院油畫技法研修班學習
現任魯迅美術學院 副教授
個展：
2002年 “王家增作品展”，海上山藝展中心, 上海
2008年 “ 盒子中的人”王家增油畫作品展 北京高地畫廊
群展：
2003年
“北京國際版畫雙年展”
“今日中國美術邀請展”
“第三屆中國版畫RIDGE邀請展”，日本
“美國版畫家與中國版畫家聯展”，紐約
2004年
“走進當代青年版畫家八人展”， 關山月美術館
“第十二屆台灣國際版畫及素描雙年展”
“全國第十屆美展”
2006年
“學院版畫邀請展”，深圳
上海半島版畫邀請展暨學術研討《中國版畫回顧與前瞻1994—2006》。
“魯迅美術學院教師油畫作品展”，中國美術館
“此岸彼岸” 油畫五人展， 紅星畫廊，北京
2007年
“觀瀾國際版畫展”
“分界融合”版畫六人展，半島畫廊，上海
上海800號美術館開幕展——油畫聯展
“中外名家版畫展”， 3+3畫廊，北京
2008年
深圳格豐藝術機構 油畫聯展
中國當代版畫文獻展（ 南京、北京、上海）
南韓光州雙年展
《中心與邊緣：從ABC到XYZ》王家增版畫作品展 北京798藝術區XYZ畫廊
2009年
王家增作品展 北京798藝術區XYZ畫廊
獲獎：
1988年 “世界大學生美術作品展”，作品《午休》獲得優秀獎。
1998年 “中國第十四屆版畫展”獲銅獎
2001年 《牌戲人生》之一獲中國第七屆三版展銀獎
2002年 《牌戲人生》在東北三省版畫展獲金獎
《存在的1/2》獲中國第十六屆版畫展優秀獎
2003年 《紀念——消逝的記憶》獲中國第八屆三版展銀獎
2004年 《存在的1/2》獲中國高等院校版畫年會展學院獎
2005年 《紀念——消逝的記憶》獲中國第十七屆版畫展銀獎
2009 WANG JIAZENG PAINTING WORKS SOLO EXHIBITION
Exhibition dates: March 7, 2009 to Mar. 20,2009, 1100hrs to 1800hrs
Venue: XYZ Gallery, D 05 of 798 Middle Second Street of 798 art center
Curator: Xueyi FAN, Catherine Cheng
Contact Information: 010 8459 9299/13701104223
INTRODUCTION
“Wang Jiazeng revealed a soul-stirring vision of human dissimilation. He makes no exception of which the figures are all uniformed: all in blue and cadre cap. They can be either workers or farmers; neither government official nor merchants whose status are not identified and is only an abstract sign or symbol. Nowadays, Chinese are dressed of all sorts, but, in Wang Jiazeng’s works, people still look like are in 30 years ago, what whom wear has no individual character while all in blue tuinic and trousers. No one would forget that was one of the important marks of China then, therefore, Chinese were called ‘blue ants’ by Occidental. He is totally in defiance of the changes of time and rummages those out through chests and cupboards, in which not indicate that he is introspective of that special years but to symbolize the fetter and imprison of human character and nature. This tricky symbol seems like both another life and actual life. Under such circumstance, we are as if turning into a condition of being died but still alive. The style in grayish and black make the universe looked as though casting by iron, thus the dense callousness raid us that we could not help thinking about life and death.
To review all his works, some of them in obvious are as if a doorway to the outside world from the veil of Wang Jiazeng’s creation, in which he coats with slight colour of raddle. The colour is, as same as the woman in his box, to transform a thread of warmth from its origin coldness, though the basic keynote is still as hard as nails. Only are those little factors making the theme of expression suddenly appear definite relativity, and decreasing absoluteness so go into full of life. But, it is only the briskness of Wang Jiazeng’s or to say, as same as black humour, it is a black liveliness.
By Dr. Guo Xiaochuan’s < Men in Metal Boxes – Wang Jiazeng’s works>
Biography of Wang Jiazeng
1963 Born in Shengyang, Liaoning Province.
1992 Graduated from Department of Print in Luxun Academy of Fine Arts
1993 Studied at Oil Painting Facaulty of China Central Academy of Fine Arts in Beijing
Now is associate professor of Lunxun Academy of Fine Arts
Solo Exhibition
2002 Works of Wang Jiazeng Exhibition, Shan Gallery, Shanghai
2008 Men in Mental Boxes Wang Jiazeng’s Oil Paintings Exhibition, Gaodi Gallery,
Beijing
2009 Wang Jizeng Painting Solo Exhibition at XYZ Gallery Beijing, 798 art center
Group Exhibition
2003 Beijing International Print Biennale, Yan Huang Art Museum, Beijing
China Today Invitational Art Exhibition, Beijing
3rd Chinese Print Ridge Invitational Exhibition, Japan
Joint Exhibition of American and Chinese Prints, New York
2004 Enter the Present Age _Eight Youth Print Exhibition, Guanshanyue Art Museum, Shenzhen
the 12th Taiwan International Print and Line Drawing Biennale. National Taiwan Museum of Fine Arts
the 10th National Arts Show, The National Art Museum of China, Beijing
2006 Academic Invitational Print Show, Shenzhen
Shanghai Invitational Peninsula Prints Exhibition, Shanghai University, China
2007 Guanlan International Print Exhibition, Guanlan Art Museum, Shenzhen
Shanghai Wujiaochang No.800 Space Opening Show –Oil Painting Exhibition, Shanghai
Prints Exhibition of China and Abroad Masters, 3+3 Art Space, Beijing
2008
Awards
1989 ‘NoonBreak‘won outstanding prize, International Undergraduates Art Exhibition
1998 ‘Unconsciousness State in Sequence’ won the bronze prize , the 14th National Print Exhibition
2001 one of ‘Life As Cards’ gained the silver prize, the 7th National Three Kind of Print Exhibition
2002 ‘life As Cards’ won the first prize, Northeast Three Provinces Print Exhibition
‘The Half of Existence’ gained the outstanding prize, the 16th National Print Show
2003 Commemoration--Wearing Away Memory’, the prize of the 8th National Three Kind of Print Exhibition
2004 The Half of Existence’ gained the academic prize, National College and University Print Annual Exhibition
2005 ‘Commemoration--Wearing Away Memory’ won the second prize in the 17th National print Exhibition
