在戴平均的作品《三角形》中,一隻手從畫布的背面穿越而出,令人驚悚。這種超現實的手法其實在90年代徐芒耀的作品中已經出現,不過那時徐的作品還具有啟蒙主義的哲學思辨性質,其畫作的人物是超現實的理想人物(如畫家)
摘自《重新對焦——中國寫實繪畫的異動》
—— 殷雙喜
In Triangle,it’s shocking to see a hand stretching out from the back of the canvas.The surrealistic style also appeared in Professor Xu Mangyao’s works in the 1990s,where there was didactic speculative philosophy,and figures are surrealistic ideals like painters.
Refocusing——The Variation of Realistic Painting in China By Yin Shuangxi
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